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Interview: Hood River Band Flor Talks Success, Move to LA, and DIY Roots

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by Ben Salmon
Flor
FlorTravis Shoots
The story of Flor sounds ready-made for a feature film: Four old friends start a rock band, realize they have a snappy sound, and decide to leave their small hometown to pursue their dreams in the nearest unforgiving metropolis. They find success, sign to a tastemaking record label (Fueled by Ramen), record a solid debut album, and tour all over the place.

In fiction, right here is where the band gets hoodwinked by a scummy manager type, and their interpersonal relationships become strained; fights over money, drugs, and/or fame ensue. Instead, here is where Flor strays from the typical script. Formed in Hood River, the savvy pop-rock quartet spent half a decade or so doing the LA thing, but before things could turn sour, they discovered who they are and what they do well, and half the band headed back north to live a life in Oregon that’s balanced and deeply rooted.

“I moved back to my family’s farm and renovated a cabin,” says McKinley Kitts, Flor’s guitarist. “I spend half the year in a one-bedroom cabin and half the year traveling the world on tour. It’s kind of a dream, actually.”

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Injured Protesters File Joint Lawsuit Against Portland Police for August 2018 Tactics

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by Alex Zielinski
The helmet plaintiff Aaron Cantu was wearing when he was hit by an officer's flash-bang grenade.
The helmet plaintiff Aaron Cantu was wearing when he was hit by an officer's flash-bang grenade.Aaron Cantu

Three Portlanders who sustained injuries during a 2018 protest have joined together to sue the City of Portland and Portland Police Bureau (PPB) officers, accusing the city of allowing its officers to use violent, unnecessary tactics to muzzle the demonstrators' free speech.

"The City of Portland has a custom and practice of using militarized force against protestors," reads the complaint, filed Monday. "When force is used, PPB makes no effort to limit its force to individuals who actually pose a threat of violence, instead using force indiscriminately at anyone who happens to be in the crowd."

The joint lawsuit names James Mattox, Aaron Cantu, and Tracy Molina as plaintiffs. All three were participating in a counter-protest to the August 4, 2018 "Gibson for Senate Freedom March," a Portland demonstration organized by the far-right agitator Joey Gibson. Gibson, who was making an unsuccessful run for US Senate at the time, is the founder of Patriot Prayer, the small group of alt-right enthusiasts based in Vancouver, WA.

On the day of the August protest, hundreds gathered at the Portland waterfront to oppose Patriot Prayer's far-right rhetoric and threats of violence. However, according to the suit's plaintiffs, the main violence that took place on August 4 came from Portland's own police force.

The complaint focuses on a specific moment during the chaotic demonstration: When officers decided to fire so-called "less lethal" munitions into a crowd of 50 or so counter-protesters near SW Columbia and SW Naito.

"PPB initiated their attack on the counter-fascist protestors following no provocation," the suit reads.

In reports penned after the protest, officers say they were responding to protesters who were throwing rocks and "smashing the windows of police cars." PPB has yet to produce evidence supporting this claim.

Mattox was walking with protesters on SW Columbia when officers began shooting rubber bullets and flash-bang grenades into the crowd. The complaint describes the scene best: "At the time plaintiff was shot he was... waving his arms and his anarchist shield, flipping off the officers, and shouting profanities."

After being shot in the leg by a rubber bullet, Mattox picked up the bullet and shouted at the officers, "Look, you missed!" The same officer fired again, hitting Mattox in the right arm.

James Mattox, shortly after being hit by an officers rubber bullet.
James Mattox, shortly after being hit by an officer's rubber bullet. James Mattox

He left the crowd with a bleeding gash, seeking medical care. The complaint claims the PPB officer shot Mattox in retaliation for "engaging in speech that [the officer] did not condone."

"By shooting Mr. Mattox [the officer] in fact chilled the Mr. Mattox's political speech," the document reads.

Cantu was in the same crowd of counter-protesters when PPB began firing its munitions. He was running away from the police when an officer's flash-bang grenade lodged itself into his skull. Cantu was wearing a bike helmet at the time, but the munition was powerful enough to blaze through his helmet and cut into his head. If he hadn't been wearing the helmet, the complaint reads, Cantu could easily have died from the impact.

Cantu suffered a traumatic brain injury and still suffers from dizziness and tinnitus.

Mr. Cantu has sustained emotional distress," the suit adds, "including, but not limited to, pain and suffering, discomfort, fear, frustration, a fear of trusting those in positions of power, and anxiety."

Molina is the only plaintiff who was arrested on August 4. Molina came to the protest with a sign reading, "Hey Racists Stop Making Your Ignorance Our Problem Grow Up or Go Home.” During PPB's confrontation with counter-protesters, Molina allegedly followed officers orders to stay on the sidewalk. But, the complaint reads, this didn't stop an officer from grabbing her protest sign from behind.

Molina did not let go of her sign, which allegedly prompted an officer to knock her to the ground "with such force that she fell and rolled into the middle of the street," where she was then crushed by several dog-piling officers.

Molina was charged with disorderly conduct, attempt to commit a felony, and interfering with a police officer. The criminal case was eventually dismissed in her favor.

The plaintiffs have accused the City of Portland and its officers of violating the Fourth and Fourteenth Amendments by using excessive force with little provocation and violating the First Amendment by using violence to silence protected speech. They also accuse the city of negligence, battery, false arrest, and intentional infliction of emotional distress.

"Without adequate training, supervision, or review of PPB’s officers, defendant City of Portland has created an environment of militarized responses to mild forms of dissent," the suit reads. "Additionally, by firing their lethal weapons directly into a passive crowd... agents of City of Portland created an unnecessary and unreasonable risk of harm against all present."

The complaint specifically notes how PPB officers do not appear to use the same amout of force against right-wing protestors, "despite their disobedience of officers’ orders."

"[Officers] chose to attack plaintiffs’ group in part because they disagreed with the political message of the anti-fascist demonstrators and sympathized with the fascists," the document reads.

The plaintiffs, represented by three separate attorneys, have requested a jury trial.

They're not the only ones who've turned to the court system to address officer-inflicted injuries stemming from the 2018 protest. In August, Michelle Fawcett sued the City Portland for physical and psychological damages sustained after being hit by a flash-bang grenade, shot by a PPB officer on August 4, 2018. She's asked the city pay $250,000 for her injuries.

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Good Morning, News: Portland's Sondland Silenced by Trump, and All Queer Eyes on the Supreme Court

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by Blair Stenvick

Stay up to date on Portland news and politics. Looking for fun? Here are the best Things to Do in Portland today.

People started camping outside the US Supreme Court yesterday so they can hear todays historic LGBTQ+ employment rights cases.
People started camping outside the US Supreme Court yesterday so they can hear today's historic LGBTQ+ employment rights cases.Chip Somodevilla / Getty images

Good morning, Portland! Did you know you can get free flu shots through most insurers at Fred Meyer and other pharmacies? Get your gosh darn flu shot!

Here are the headlines!

See You in Court: The US Supreme Court is set to hear several cases concerning LGBTQ+ employment rights today—though a suspicious package found outside the courthouse has prompted an evacuation, so it's not clear right now whether the cases will proceed today.

About half of all LGBTQ+ Americans live in states where it is perfectly legal to fire someone for being queer or trans—though thankfully, Oregon isn't one of them. The court will hear cases from gay men and a trans woman who were fired for their identities—but for Out writer Masen Davis, this moment is particularly important for trans Americans:

For me, and for many trans folks, the implications are even more profound than the Obergefell decision. A ruling in the Stephens case will determine if it’s perfectly legal to fire someone, refuse to hire someone, or pass someone up from a promotion merely because we are transgender. For a population that’s already economically marginalized, these are high stakes, indeed.

Silencing Sondland: By now you probably know that Gordon Sondland—the Trump crony, Portland hotelier, and generous donor to Mayor Ted Wheeler—is tied up in the Ukraine impeachment scandal. But the Trump administration is blocking Sondland from speaking to Congress for the impeachment inquiry, which he was scheduled to do today.

Who Watches the Watchmen? Three Portlanders have filed a joint lawsuit against the city and the Portland Police Bureau for "militarized force" used against them during a 2018 anti-Patriot Prayer protest. "When force is used, PPB makes no effort to limit its force to individuals who actually pose a threat of violence, instead using force indiscriminately at anyone who happens to be in the crowd," reads the lawsuit.

Tiny Problems: An avowed Proud Boy and former Patriot Prayer member has pleaded "not guilty" of a 2018 assault against a Portlander. Here's Alex with the color commentary form the courtroom:

Splitting Up With Split Juries: In Oregon, you can be convicted of a felony if only 10 out of 12 jurors think you're guilty. We're the only state in the nation to still have a split-jury policy, but a case the Supreme Court heard yesterday could change that.

It's Up to Us Now: Despite having a Democratic supermajority, Oregon lawmakers failed to pass a law this year that would have regulated the state's greenhouse gas emissions. Three proposed ballot measures for the 2020 election would give voters the power to do it themselves instead—and also commit the state to having a carbon-free economy by 2050.

Bape Van (it's just fun to say, okay?): Governor Kate Brown is barreling full-steam ahead with her ban on all flavored cannabis and nicotine vape products, and it could go into effect as early as this Friday. Oregon, lock up your teens:

ARE YOU HUNGRY? Then may I interest you in the Portland Mercury's upcoming Nacho Week? OH! AND YES, YOU DO LOOK SEXY!Tickets for HUMP! 2019 are right here. (Oh, and psst! Check out the new, very sexy, and decidedly NSFW HUMP! trailer here.)

Carry This Energy:

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The I, Anonymous Blog Quote o' the Day: "Get Off the Heroin, Brad!"

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by Wm. Steven Humphrey
grabbag.jpg

One way to inform the world of your many varied complaints is to submit them to the I, Anonymous Blog. Another way is to... well, see for yourself in this I, Anonymous submission called, "Town Crier."

Brad, get off the heroin! I say that on behalf of the entire block, and your girlfriend, who was screaming at you on her cell phone while sitting on her front stoop at 6:45 am this morning. She's screaming at you, Brad, and you won't take this seriously. Brad, don't you realize what she's "done for you"? You're "not even listening" to her. We're all listening to her now, Brad. We have to listen. She's screaming at the top of her lungs, Brad. "Why the fuck did you do it?" Why, Brad? She is "so angry right now!" She's waking up the entire street for you, Brad, and you don't even "get it"! She can't believe you're laughing! The neighborhood's not laughing. We're all concerned about your drug problem now. We have to be. I don't think the neighborhood can believe you would do this to her. Think about it, Brad: Your girlfriend is hot. She's so together. If you don't change your ways, I think the neighborhood might make a move and steal her away from you. But that's just between you, me, and the neighborhood she woke up at 6:45 am.—Anonymous

Do you have a message for Brad (or perhaps everyone else in the world)? Get it off your chest ANONYMOUSLY by submitting your rant or confession to the I, Anonymous Blog. (And don't miss the heee-larious I, Anonymous Show, where we read the blog's craziest submissions live onstage! It goes down the first Wednesday of every month at Curious Comedy Theater. Check it out!)

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Little Bird Bistro is Permanently Shutting Its Doors

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by Wm. Steven Humphrey
littlebird_18.jpg
Little Bird Bistro

More bad news for Portland food lovers: The beloved Little Bird Bistro is closing its doors forever on October 27 according to a press release sent by owners Andy Fortgang and Gabriel Rucker:

Over the years we have been honored that so many of you have chosen Little Bird to celebrate the special occasions of your lives, or just enjoyed a quiet Tuesday afternoon at our bar.

Our hearts are warmed with the memories of all the people who have worked here over the years, and how Little Bird has been a part of their lives’ journeys. We are heartbroken to have to see Little Bird close, but look forward with enthusiasm to what lies ahead.

The sister restaurant to the also popular Le Pigeon opened in 2010 and was well-known around town for its terrific happy hour and mouth-watering burgers. From our 2011 review of Little Bird Bistro:

The menu—which Rucker developed with Erik Van Kley, his former sous chef, and the man handling day-to-day operations—is heavy on traditional French bistro favorites: moules frites, frog legs, escargot. But nothing I've tried feels pigeonholed by tradition; nothing tastes generic.

What I will miss most is definitely Little Bird's happy hour, which I considered to be one of the best in the land. From my 2019 review:

Criminally overlooked, Little Bird features one of the classiest happy hour experiences in Portland. I am DOWN with it—especially their much-loved Double Brie burger at the affordable price of $7. Surrounded by onions, pickles, and spiced ketchup, the contents are embedded in a soft artisan bun that easily carries this thick ’n’ hefty, perfectly cooked patty. And because I’m fancy, I like to pair it with the best Old Fashioned Fumé ($9 at happy hour) this city has to offer. Truly, this drink is as beautiful as Ryan Gosling’s more handsome brother.

Reservations are still being accepted, so join me in at least one (or many more) Old Fashioned Fumés all the way up to October 27. Thanks, Little Bird, for all the great tastes and memories.

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Car Keyers, Come out and Play!

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by Anonymous

Don't forget to smile when you key my car because I've got you on camera. When I catch you, I'll have to decide whether I'm going to report you and sue your ass, or just key your face. Most likely, I'll go with the former. But if I catch you in the act, who knows.

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Eat Your Lunch Someplace Else!

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by Anonymous

I understand that we all need to eat lunch at our desks occasionally, due to workload, appointments, etc.

But this dude eats his lunch at his desk every single day, which means every day I have to hear the tinging and scraping in his bowls, plates, chewing, etc.

It's just rude.

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TV Review: Godfather of Harlem Is a 1960s Crime Epic That's Not Quite as Good as It Sounds

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by Ned Lannamann
Nigél Thatch as Malcolm X and Forest Whitaker as Bumpy Johnson in Epixs Godfather of Harlem.
Nigél Thatch as Malcolm X and Forest Whitaker as Bumpy Johnson in Epix's Godfather of Harlem.DAVID LEE/EPIX
The outside signifiers all point to Epix’s Godfather of Harlem being something exceptional: It stars the excellent Forest Whitaker as “Bumpy” Johnson, a real-life Harlem crime boss who rubbed shoulders with Malcolm X, Adam Clayton Powell Jr., Mary Wells, and Muhammad Ali. The cast includes Vincent D’Onofrio as Johnson’s rival, a vicious Italian mob boss; Giancarlo Esposito as the smooth-talking politician Powell; and smaller roles played by Paul Sorvino, Chazz Palminteri, Luis Guzman, and Erik LaRay Harvey. And it combines a perfectly appointed 1960s period piece, à la Mad Men, with a wide-scope crime drama that’s imbued with vital American history, à la Boardwalk Empire.

But for all its terrific elements, Godfather of Harlem—whose second episode (out of 10) aired this past Sunday—rarely rises beyond the level of “pretty good.” Whitaker is unsurprisingly terrific, handling all the notes of the show's complicated main character with power and grace. And much of the supporting cast is his equal: D’Onofrio is always worth watching, never quite doing what you’d expect him to do—he makes his Vincent “Chin” Gigante character into a meanie with a real chip on his shoulder, and we understand why. Esposito is also great as the smarmy political maneuverer, but Erik LaRay Harvey is barely used, relegated to the background as one of Johnson’s right-hand men. I haven’t seen enough in the first five episodes to know whether Sorvino and Palminteri have anything bigger than cameo roles, but presumably they do.

In other words, the crime stuff in Godfather of Harlem is mostly dialed in. The action is chiefly about who controls the flow of heroin (referred to by Bumpy and his team by its African name, “dooji”) into Harlem, and how Bumpy’s crew faces off with the Italians over turf and matters of pride. But there’s just not quite as much of this stuff as I’m craving from a show like this. Instead, the subplots, of which there are several, bog the show down and flatten it out; as such, the show ping-pongs between some exciting (and sometimes pretty brutally violent) crime stuff and awfully generic interpersonal drama.

The worst subplot concerns Gigante’s daughter Stella (Lucy Fry) and her surreptitious romance with a Black musician, Teddy (Luce’s Kelvin Harrison Jr., similarly irritating here). Their forbidden love is meant to be a metaphor for the civil rights movement at large, which means they’re symbols rather than characters, and thus are largely uninteresting. Teddy’s song, “Rise,” is meant to be a powerful protest anthem, but it’s both a forgettably ho-hum tune and wholly out-of-character for the time period; it sounds more like a Lenny Kravitz track used in a Microsoft Surface Pro commercial.

Other subplots concern Bumpy’s wife, Mayme (Ilfenesh Hadera), who seems to exist mostly to look disapprovingly at Bumpy every time he comes home from doin’ crimes. As the series goes on, she’s revealed to have some sneaky goings-on of her own, but in the first five episodes, the character has yet to fully spring to life. And Bumpy’s relationship with Elise, a heroin addict, has some interesting threads, but the intense drama of their relationship feels diagrammed by the script rather than actively expressed on screen.

I’m making it sound worse than it is. As I said earlier, the show mostly bobs along at a level of “pretty good,” and every now and then it crests higher than that. The trio of Whitaker, D’Onofrio, and Esposito are enough to make anything worth watching, and they’re matched by a superb Nigél Thatch as Malcolm X (the actor reprises his role from Selma); Thatch's solid work renders the historic elements of the show believable and exciting. And having seen half of the first season, I’m intrigued to see where the show goes from here—the 1960s Harlem it conjures is absorbing and visually interesting. I just hope it maintains focus on Bumpy and the space that exists between his conflict with the Italians and his role in providing stability and safety for his "hometown" of Harlem. The peripheral characters, whenever Bumpy's not on screen, are a distraction.

Godfather of Harlem plays on Epix, a relatively low-profile network in the age of Prestige TV, but one that’s worth double-checking to see if your cable subscription includes. Epix gave a home to the terrific Perpetual Grace, LTD earlier this year, and also has the Alfred-the-Butler origin show Pennyworth and the well-regarded Get Shorty and Berlin Station. I don’t think Godfather of Harlem is going to be enough to boost Epix into the top tier, but it continues their upward trend of worthwhile programming. If the idea of a history-crime show set in 1960s Harlem is something that your TV-scent receptors twitch for (as they do mine), Godfather of Harlem will—mostly—give you what you’re looking for.


Godfather of Harlem airs Sundays on Epix.

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Stop the car you stoned motherfuckers

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by Anonymous

Yeah, I'm in an electric wheelchair. There's nothing fun or funny about that. So wipe that grin off your face and fully apply the brakes on your fucking Volvo. I get that the light is giving me the little white man that implies walk (as if). I get that it will turn into a countdown in a few seconds. But you're still rolling, approaching the crosswalk at the pace of a stoned slug. I WILL NOT go into the crosswalk until your wheels are stationary. Because you're stoned and you're giggling and you're waving but your car isn't actually stopping. YOU are surrounded by steel and airbags. I am sitting in a fucking wheelchair that can't get away from your stoned ass at 3 miles per hour, tops. I get stoned too. But I don't get stoned and then go out on my wheelchair around town. Push the break all the way to the fucking floor so I can cross the fucking street. Stoned fucking driver.

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As Supreme Court Hears LGBTQ+ Employment Cases, Oregon Leaders Speak in Support of Queer Rights

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by Blair Stenvick
Mikki Gillette of Basic Rights Oregon and US Senator Jeff Merkley spoke about today's Supreme Court hearings on LGBTQ+ employment rights at a press conference.
Mikki Gillette of Basic Rights Oregon and US Senator Jeff Merkley spoke about today's Supreme Court hearings on LGBTQ+ employment rights at a press conference. DOUG BROWN / ACLU OF OREGON

The US Supreme Court is hearing three significant cases Tuesday concerning LGBTQ+ discrimination. While Oregon state law won’t be affected by the rulings, Oregon leaders are taking the opportunity to explain why federal anti-discrimination protections are so important.

The three cases involve three LGBTQ+ people—a gay man from Georgia, a gay man from New York, and a transgender women from Michigan—who were fired from their respective jobs because of their identities. The Supreme Court will consider whether Title VII of the 1964 Civil Rights Act, which prohibits discrimination in employment discrimination “on the basis of sex,” should cover sexual orientation and gender identity.

At the federal level and in 26 states, there is currently no legal protection against employment discrimination for LGBTQ+ people. Oregon, however, does guarantee that right under the 2007 Oregon Equality Act, which prohibits discrimination in employment, housing, and public accommodations based on sexual orientation or gender identity.

Basic Rights Oregon (BRO) was one of the key advocacy groups behind the passage of the Oregon Equality Act, which Executive Director Nancy Haque said, “ensures dignity and respect, no matter who we are or who we love,” at a press conference Tuesday morning.

“The law should be on our side,” Haque added. “Many federal courts and agencies have long held that firing someone simply because they’re transgender, gay, lesbian, or bisexual is unlawful discrimination. … The current patchwork of laws across the country is unfair and unworkable. It leaves too many behind.”

US Senator Jeff Merkley attended the morning press conference. Merkley was Speaker of the Oregon House in 2007, where he championed the passage of the Oregon Equality Act. Since joining the Senate in 2009, Merkley has fought for LGBTQ+ protections at the federal level. Earlier this year, the House of Representatives passed the Equality Act, a federal version of Oregon’s law, which is sponsored by Merkley. But Merkley said he hasn’t been able to convince Republican leadership to bring the bill to a vote in the Senate, and he doesn’t expect that to change until Democrats become the Senate majority.

“Once again," Merkley said, "elections will make a difference."

A Supreme Court decision that sexual orientation and gender identity is covered by Title VII would ensure that all LGBTQ+ Americans are entitled to employment protections. But though proponents of that outcome believe the law is on their side, they also warn that the Supreme Court might not view the issue the same way—and that an anti-LGBTQ+ ruling could open the door for other forms of discrimination. Under the direction of Donald Trump, the US Department of Justice submitted a brief to the Supreme Court arguing against LGBTQ+ employment rights.

“The Trump administration has joined with anti-LGBTQ groups, and taken his war against transgender people to the highest court,” said Kelly Simon, a staff attorney at the ACLU of Oregon, at the press conference. “If the Supreme Court rules against LGBTQ people, it will give the president and other anti-LGBTQ people in power a license to take even more dangerous actions to deny us other civil rights—like the right to equal health care, education, and housing.”

One of the three cases concerns Aimee Stephens, a transgender woman who transitioned while working at a funeral home in Michigan. Stephens’ boss fired her because he did not want her to start wearing women's clothing at work. Stephens’ case is historic for being the first transgender rights case to make it before the Supreme Court—but as Simon pointed out, the outcome of her case could potentially affect not just LGBTQ+ people, but any employee who does not conform to their boss’ expectations of gender presentation.

Lawyers representing Stephens’ employer are arguing that “employers should be allowed to fire people just for not looking, dressing, or acting masculine or feminine enough for their liking,” Simon said.

ACLU of Oregon Staff Attorney Kelly Simon, wearing an impeccable suit, speaks about how Aimee Stephens Supreme Court case could affect any employees who do not meet their employers expectations of gender expression.
ACLU of Oregon Staff Attorney Kelly Simon, wearing an impeccable suit, speaks about how Aimee Stephens' Supreme Court case could affect any employees who do not meet their employers' expectations of gender expression. DOUG BROWN / ACLU OF OREGON

Mikki Gillette, BRO’s major gifts officer, has experienced her own workplace discrimination. Gillette was a substitute teacher in Vancouver, Washington in 2011 when a group of local parents tried to get her fired for being transgender. Gillette was protected by Washington’s anti-discrimination law, which is similar to Oregon’s.

“Without those protections, my story would likely have been different,” Gillette said. “The district leadership may have capitulated to an intolerant vocal minority, and I may have lost my job like Aimee Stevens.”

Merkley said he will continue pushing for the Equality Act even if the Supreme Court rules in favor of LGBTQ+ rights, so as to add an extra layer of federal protection and make it more difficult for the policy to be overturned in the future. He said the Supreme Court cases and his bill are “taking both paths simultaneously towards a vision of equality, opportunity, and freedom.”

As she wrapped up her remarks at Tuesday’s press conference, BRO’s Nancy Haque had a message for all LGBTQ+ people listening.

“We know what’s at stake in this fight,” Haque said. “We’ve seen it and lived it for so long, and we’re going to keep fighting no matter what the outcome is at the Supreme Court. They are not deciding on our humanity today—they are deciding their own.”

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Blazers Recap: Preseason Opener! The Trail Blazers Turn 50, Lose To Nuggets 105-94.

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by Aris Hunter Wales
Bill Schonley rang in the first Rip City, Baby! to start the Trail Blazers 50th season!
Bill Schonley rang in the first "Rip City, Baby!' to start the Trail Blazers 50th season!Photo By Bruce Ely/Justin Tucker - trailblazers.com

And just like that, it’s Trail Blazers season again. All that stress and heartbreak from the previous season is completely forgotten, and a fresh season fills every Blazer fan with nothing but elation and hope. To make things even more exciting, this year’s season is the Blazers' 50th as a franchise. Such an epic milestone can only bring good fortune! If the 50th benchmark wasn’t enough, to make this season truly nostalgic, the Blazers’ first preseason game was held at the Veterans Memorial Coliseum. It was fitting to play in a smaller arena for the first contest so fans could get a closer look at the Blazers’ new roster.

The Blazers were more active in shuffling players during this off season than they have been in a long time. To name a few - Maurice Harkless, Evan Turner, Meyers Leonard, and Al Farouq Aminu, all disappeared from the Blazers’ roster. While losing a few of those names stung a bit, some of the pick-ups the Blazers made have great potential. Centers Hassan Whiteside and the 18 year vet Pau Gasol have been added, giving the Blazers a much deeper crop of big men to choose from. Gasol may be getting on in age, but his wisdom and knowledge can only help our less seasoned big boys like Zach Collins and Jusuf Nurkic. Of course Damian Lillard and CJ McCollum, possibly the most savage backcourts in the NBA, have returned to lead the new pack. There’s also a gaggle of rookies who could turn out to be the next rookie of the year. We’ve got four of them, so the odds are in our favor.

Ambiguously Rad Duo.
Ambiguously Rad Duo.Photo By Bruce Ely/Justin Tucker - trailblazers.com

The Blazers’ roster wasn’t the only one that made drastic changes in the off season. It seemed like the whole NBA was thrown up in the air, and All-Star players landed all over the place on new teams. Unfortunately, a lopsided amount of them landed in the Western Conference. That means the uphill battle to the payoffs got a lot more treacherous. But, you know the Blazers. They’re never ones to back down from a challenge.

To kick off this preseason, the Blazers went nose to nose with the Denver Nuggets. Albeit a preseason game, the Nuggets were no doubt still sour that the Blazers knocked them out in the semi-finals of the playoffs last season. Last nights game could be the start of a great rivalry. Plus, it’s a preview of the first regular season game which will also be against the Nuggets.

The Blazers went full throwback and pumped tracks from Jimi Hendrix, Jackson 5, The Doobie Brothers, and Joe Cocker into the arena during warm ups. No player got to choose the warm up music. They were doing everything they could to invoke the spirit of the 70’s. There was even an organ player providing music during play! It wasn’t a real organ, but he was playing live. The vibe was very cool. Almost as cool as the leisure suit and white, patent leather loafers coach Terry Stotts strutted onto the court in. The man could wear a banana costume and still look like he’s in charge.

The boss looking boss.
The boss looking boss.Photo By Bruce Ely/Justin Tucker - trailblazers.com

Both teams were a little rickety to start. The low ceiling may have been distracting, but neither team could hit open looks on offense. Collins managed to put up a couple nice jumpers, and Dame charged the paint for a pair, but the Blazers didn’t get into double digits until well after the halfway mark. At which point Stotts emptied out all of the starters, and the only familiar face on the court was Anfernee Simons. Skal Labissiere, Kent Bazemore, Anthony Tolliver, and Mario Hezonja tried to get the offense going, but struggled as well. The Nuggets defense had an answer for everything. They controlled the first quarter, and the Blazers shot a measly 30 precent from the field. Oof.

Simons dumped a quick pass to Hezonja who dunked it with authority to start the second. A four year NBA veteran, Hezonja displayed some serious speed during his time on the court. Bazemore and Tolliver made some good cuts to the hoop as well. Looks like the Blazers picked up some quick feet along with some height.

This new guy dunks.
This new guy dunks.Photo By Bruce Ely/Justin Tucker - trailblazers.com

The Blazers got into foul trouble super fast to start the second half. They logged three team fouls in the first minute and a half. Consequently, they had to get a little less handsy on the defensive side, and the Nuggets took full advantage. Their lead never got above ten, but the Blazers couldn’t crack it.

Stotts gave all the rookies some time in the fourth quarter. Nassir Little logged his first two points in the NBA from the free throw line after he was fouled trying to muscle in a shot under the hoop. Later he would have a vicious drive to the hoop too, giving him a total of eight points. Jaylen Hoard crammed in a solid dunk, and Moses Brown’s limbs look like they’re ten feet long. Those lanky limbs facilitated Brown to play decent defense, and score eight points in just over six minutes on the court. Not looking too bad for a some very green players.

This new guy dunks too.
This new guy dunks too.Photo By Bruce Ely/Justin Tucker - trailblazers.com

Sadly, the Blazers couldn’t hold it together to defeat Denver. The Nuggets pulled away with a 105-94 win. It is only preseason, so nothing to fret over too much. It was a good glimpse of a new team and what they’re potentially going to be capable of. Still a lot of gelling to do, but things look pretty good so far…
Veterans.jpg
Photo By Bruce Ely/Justin Tucker - trailblazers.com

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The 32 Best Things to Do in Portland This Weekend: Oct 11-13

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by Mercury Things to Do Staff

Whooo, it got chilly out in a hurry, didn't it? Luckily for you, there's a ton of amazing venues hosting amazing events in Portland this weekend, and they all have heaters. Not that you'll need them to stay warm in the glow of quality entertainment like Kokoko! making you move, Big K.R.I.T. putting it down, Minority Retort provoking the laughs, and Freddy Krueger live on stage! It's a very busy weekend ahead, hit the links below and make your plans accordingly.


Jump to: Friday | Saturday | Sunday

Friday, Oct 11

Kokoko!, Brown Calculus
Alternative indie band Kokoko!, a staple in Kinshasa’s DIY scene in the Democratic Republic of Congo, makes a lively fusion of electronic, punk, and experimental music using upcycled guitars and other instruments made from junk. The Congolese band’s songs—like the mesmerizing “Tongos’a” and “Kitoko” from their new album Fongola—are designed for the dancefloor, and create an up-tempo pulse fit for a never-ending block party. Their Portland tour stop includes a stellar local opener: intergalactic soul and jazz duo Brown Calculus. This little venue oughta be packed. (Fri Oct 11, 9 pm, Jack London Revue, $20-25)JENNI MOORE

A Nightmare on Elm Street: The Play!
From the hilarious crew that brought us live parodies of Road House, The Lost Boys, and Poltergeist comes their newest, Halloween-themed effort, A Nightmare on Elm Street: The Play! The awesomely ’80s tale of dreaming teens haunted by Freddy Krueger has been adapted by Bad Reputation Productions’ Shelly McLendon and features music by Jonny Newsome, and the cast includes the Mercury’s Wm. Steven Humphrey, who I swear is not threatening me with razor fingers as I write this. (Fri-Sat Oct 11-12, 7:30 pm, Siren Theater, $15-25, Through Oct 26)NED LANNAMANN

Big K.R.I.T., Rapsody, Domani Harris
For decades, rap music in the American South has been dominated by the big cities of Atlanta and, to a lesser extent, New Orleans, with a special nod to Houston and Miami. But as hip-hop has aged, its footprint has grown into the suburbs and also small towns like Meridian, Mississippi, and Snow Hill, North Carolina. The former is the hometown of Southern rap’s current symbol of consistency, Big K.R.I.T., who has spent the past decade grinding like an independent artist (despite a Def Jam deal) and cranking out music that set his thoughtful, drawled rhymes against beats as durable and dependable as the mighty Mississippi River. If you made a list of 2019’s best hip-hop albums, K.R.I.T.’s newest effort K.R.I.T. Iz Here would be on it. (Fri Oct 11, 9 pm, Wonder Ballroom, $25, all ages)BEN SALMON

Four Tet (DJ Set), Ben UFO, Visible Cloaks (DJ Set)
Spend the Night and the White Owl present a special DJ set with acclaimed English experimental electronic music producer Kieran Hebden, better known by his stage name Four Tet. Fellow UK producer Ben UFO rounds out the proceedings, with local favorites Visible Cloaks lending support with a DJ set of their own. (Fri Oct 11, 9 pm, White Owl Social Club, $25-30

Solomon Georgio
Look, I’m just going to say it: I’m sick of listening to white-straight-guy comedians tell jokes about Tinder and beards. That truly doesn’t interest me. You know who does? Solomon Georgio, whose comedy isn’t just inventive—it’s smart, gregarious, and consistently great. Need a preview? Check out his political quips ’n’ barbs on Twitter; they’re some of the best things in that godforsaken cesspool. (Fri Oct 11, 8 pm, Polaris Hall, $15-18)MEGAN BURBANK

The Julian Lage Trio
Mississippi Studios hosts an intimate evening with the dynamic NYC-based jazz guitarist and composer and his backing band, featuring Scott Colley on bass and Kenny Wollesen on drums. (Fri Oct 11, 8 pm, Mississippi Studios, $26-31)

Confessions of a True Crime Addict
The author of True Crime Addict brings his live show to the Curious Comedy Theater stage to share his obsession with true crime, along with fun and insightful stories about his life hunting serial killers and hosting crime shows. (Fri Oct 11, 9:30 pm, Curious Comedy Theater, $20)

Futuristic, Abstract, Scribe Cash, Ekoh
Arizona-based hip-hop artist Zachary Lewis Beck, better known by his stage name Futuristic, brings his live show to the Star Theater stage for the Portland stop on a tour supporting his 2019 album, I Am..., with Abstract, Scribe Cash, and Ekoh lending their support. (Fri Oct 11, 9 pm, Star Theater, $17)

Hobo Johnson & the Lovemakers, Mom Jeans, The Philharmonik & Nate Curry
California singer/songwriter and spoken word artist Frank Lopes—AKA Hobo Johnson—and his backing band bring their sentimental sounds back to Portland for the third time in less than a year (I think he likes us!). Mom Jeans and The Philharmonik and Nate Curry round out the all-ages bill. (Fri Oct 11, 8 pm, Crystal Ballroom, $25, all ages)

JJ Grey
Jacksonville-hailing singer/songwriter JJ Grey brings his blend of Southern soul-rock and blues through the Aladdin Theater for the Portland stop on the "Front Porch Sessions" Tour. (Fri Oct 11, 8 pm, Aladdin Theater, $32.50-35, all ages)


Saturday, Oct 12

Portland Thorns vs. Washington Spirit
After a roller coaster season that’s been chock-full of emphatic wins and devastating losses, the Thorns will be eager to close things out on a high note when they take the field against a depleted Washington Spirit side tonight. With playoffs on the horizon, Portland will need to soak up the best atmosphere in the NWSL and build some much-needed momentum heading into next weekend’s semifinal. Sat Oct 12, 7:30 pm, Providence Park, all ages)CHIPP TERWILLIGER

Felicia Day
The actress, writer, and geek culture icon returns with Embrace Your Weird, urging readers and fans to unlock their self-expression and use it to harness and build upon their creative passions. (Sat Oct 12, 2 pm, Powell's Books at Cedar Hills Crossing, free)

Steve Hackett
Guitarist Steve Hackett has become the de facto keeper of the flame for Genesis’ hallowed golden age. While the other members of the band, including singers Peter Gabriel and Phil Collins, never deign to revisit the band’s magnificent early prog period, Hackett has, over the years, devoted setlists and live albums to his tenure with the group. On this tour, Hackett and his band will play Genesis’ 1973 album Selling England by the Pound in its entirety; it’s always been Hackett’s favorite, and considered by many to be their finest hour. While it lacks anything as powerful as their youthful magnum opuses “Supper’s Ready” and “The Musical Box,”Selling England remains their most technically accomplished and confident work, featuring four solid epics, including the tricky, slithering “Dancing with the Moonlit Knight,” the soaring “Firth of Fifth,” and the wonderful two-part “The Cinema Show,” which pivots from a gorgeous, 12-string-guitar-laden folk song to a hard-driving synthesizer solo over an ecstatic 7/8 beat. And with Hackett at the helm, tonight’s show is the best chance we’ll have to witness this material performed by one of its original creators. (Sat Oct 12, 8 pm, Revolution Hall, $45-69.50)NED LANNAMANN

13th Annual Oregon Music Hall of Fame Induction & Concert
Oregon's music all-stars get some shine on under the Aladdin's lamp, with a ceremony celebrating Pacific Northwest legends, including 3 Leg Torso, Dick Berk, Little Sue, Mark Lindsay, Michael Allen Harrison, Michael Hurley, Pond, and more. (Sat Oct 12, 7 pm, Aladdin Theater, $30-100, all ages)

Phantoms, Georgia
The rising Los Angeles-based electronic dance music duo spearheaded by former teenage actors Kyle Kaplan and Vinnie Pergola returns to Portland for a headlining show at the Doug Fir Lounge. (Sat Oct 12, 9 pm, Doug Fir, $14-16)

Hip-Hop Fighting Cancer
Some of Portland's finest pracitioners of good local hip-hop join forces to raise money for OHSU Knight Cancer Institute, including sets from IAMJORDAN, Veana Baby, Zenith, and special guest Mat Randol, with DJ Zinker and EJ That DJ holding it down on the decks. (Sat Oct 12, 9 pm, Hawthorne Hideaway, $10)

The Crystal Method
Las Vegas-hailing producer and DJ Scott Kirkland brings his pioneering big beat act back through Portland to take control of dance floor at Dante's. (Sat Oct 12, 8 pm, Dante's, $17-20)

Break Science, K+Lab
The Denver-based duo consisting of keyboardist/producer/jazz pianist Borahm Lee (Pretty Lights Live Band) and funk and hip-hop drummer Adam Deitch (Lettuce) blend electronica, glitch, dubstep, and more to make music that covers a wide range of electronic genres. (Sat Oct 12, 9 pm, Star Theater, $20-25)

grandson, Phem, nothing,nowhere
Rising Canadian-American singer/songwriter Jordan Edward Benjamin (AKA grandson) brings his hip-hip-infused alt-rock back to Portland for an all-ages show supporting his latest Fueled by Ramen-issued album, A Modern Tragedy, Vol. 2. (Sat Oct 12, 8 pm, Crystal Ballroom, $25-28)

Bewitched! A Pre-Halloween Dance Party
DJ Action Slacks' annual Halloween dance party returns to the Kenton Club with the all the classic soul, Motown, R&B and blues grooves that you can fit in your pillowcase for the night. A portion of the proceeds benefits the Higher Heights for America's Leadership fund. (Sat Oct 12, 9 pm, The World Famous Kenton Club, $7-10)

Mystery Box Social: A Sex-Positive Dinner Party
Portland's long-running storytelling series dedicated to the sexier side of things hosts an intimate dinner party at their HQ, with special guests Girl Sex 101 author Allison Moon and fan favorite storyteller Camille Salcedo. Tickets are VERY limited. Only 10 available. (Sat Oct 12, 6 pm, Mystery Box Show HQ, $60)

Starset
What the hell does it sound like when an electrical engineer from Ohio decides he wants to funnel all that scientific knowledge into some rock 'n' roll? It sounds a lot like Starset. (Sat Oct 12, 7 pm, Roseland, $25-30, all ages)

Comedy, Candidates, Cocktails
Multnomah County Democrats harness the power of local laughter to help raise funds for their electoral efforts, featuring stand-up sets from Becky Braunstein, Adam Pasi, Nariko Ott, and Shain Brenden. Hosted by state senator Shemia Fagan. (Sat Oct 12, 8 pm, North Portland Eagles Lodge, $25-35)


Sunday, Oct 13

Stereolab
Throughout the band’s initial 18-year run, Stereolab felt like an underground music lover’s dream. Led by guitarist Tim Gane and vocalist Laetitia Sadier, the self-styled “groop” flooded their discography with motorik Krautrock, lush exotica, drum ‘n’ bass, Tropicália, and baroque pop. And their subsequent influence has been felt throughout the indie universe and even into hip-hop (Pharrell says the band’s “Flower Called Nowhere” is his favorite song to get sucked off to). The ’Lab has returned to the stage after a 10-year hiatus, coaxed by a recent reissue campaign that has brought five of their ’90s albums back into circulation. (Sun Oct 13, 8:30 pm, Wonder Ballroom, $30-32, all ages)ROBERT HAM

Minority Retort
As long as Minority Retort continues to produce one of the best stand-up showcases in the city, you’re going to keep reading about it here. For the October installment, hosts Jason Lamb and Julia Ramos will bring you sets from Shane Thomas, Cerissa Hall, Chris Mejia, Eddie Su, and Lance Edward. (Sun Oct 13, 8 pm, Siren Theater, $12-15)

Jonas Brothers, Bebe Rexha, Jordan McGraw
Yes, the Jonas Brothers are still a thing. They will probably never not be a thing. This is neither good, nor bad. It simply is. They are cute as three buttons, they make pretty decent pop music, and considering the roiling tire-fire that is 2019, shouldn't that be enough? Why not just... let yourself enjoy some cute pop music for a night, right? Adding Bebe Rexha to the bill certainly helps. (Sun Oct 13, 7:30 pm, Moda Center, $39.95 & Up)

Bizarre Ride II the Pharcyde
A partially reunited Pharcyde headed up by Fatlip and Slimkid3 hit the Revolution Hall stage to fulfill your '90s hip-hop dreams with a performance of the group's landmark debut, Bizarre Ride II. (Sun Oct 13, 8 pm, Revolution Hall, $25-30)

White Reaper, The Dirty Nil, Criminal Hygiene
On their 2017 breakthrough, The World’s Best American Band, White Reaper shed the grit and grime of their previous releases and stepped into their destiny as pop-rock crowd-pleasers. The Kentucky band’s major label debut, You Deserve Love, is an even shinier bauble, a slick and glittering collection that imagines an alternate version of the 1980s, one in which Sammy Hagar or Rick Springfield made an entire album that matched the ecstatic bliss of “I’ve Done Everything For You.” It is an unabashedly big and bright record, and few albums since One Direction’s Midnight Memories have so expertly demonstrated the power of pure pop. (Sun Oct 13, 8 pm, Doug Fir, $15-17)CHRIS STAMM

Oregon Symphony Presents Stravinsky's Firebird
Conductor David Danzmayr and percussionist Colin Currie lead the Oregon Symphony through a world premiere a concerto written by composer Andy Akiho, with the symphony rounding out the program with performances of Stravinsky's The Firebird Suite and Ives'"Three Places in New England."(Sun Oct 13, 2 pm, Arlene Schnitzer Concert Hall, $25 & Up, all ages)

Che Apalache
The Alberta Rose Theatre hosts an evening of Latin bluegrass fusion with this rising string quartet based in Buenos Aires and boasting members from Argentina, Mexico, and the United States. (Sun Oct 13, 8 pm, Alberta Rose Theatre, $18-22)

Mike Doughty, The Ghost of Mr. Oberon
The former Soul Coughing frontman pays tribute to what many fans consider the groups finest hour, Ruby Vroom, by performing the full album, front to back, on the event of its 25th anniversary. (Sun Oct 13, 8 pm, Aladdin Theater, $25, all ages)

Lido
Norwegian multi-instrumentalist, singer/songwriter, and in-demand producer Peder Losnegård (AKA Lido) brings his ever-evolving blend of electronica and R&B to the Holocene stage for the Portland stop on the "Almost Peder" Tour. (Sun Oct 13, 8 pm, Holocene, $25-30)

Don't forget to check out our Things To Do calendar for even more things to do!

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Good Morning, News: Bernie Sanders Slows Campaign, Trump Abandons Kurdish Allies, and a Majority of Americans Back Impeachment

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by Wm. Steven Humphrey

Stay up to date on Portland news and politics. Looking for fun? Here are the best Things to Do in Portland today.

Well what do you know... a majority of Americans now favor impeachment.
Well what do you know... a majority of Americans now favor impeachment.David Dee Delgado/Getty Images

GOOD MORNING, PORTLAND! And if I don't let you know, then I won't be for real. I could be wrong, but I feel like something could be going on. LET'S GO TO PRESS.

To the surprise of absolutely no one, the utterly corrupt Donald Trump has put into writing that he has no intention of cooperating with the current impeachment inquiry. That's something an innocent person would do, right?


Democrats are now planning to subpoena Gordon Sondland—Portland hotelier, and generous donor to both Mayor Ted Wheeler and Trump—after the president blocked his cooperation (a move that Democrats are rightly calling "obstruction"). Add that one to the impeachment list!

Oh this is interesting: According to a new Washington Post poll, a MAJORITY OF AMERICANS support an impeachment inquiry, and nearly half say Congress should take the extra step of recommending that the president get kicked out of office. I agree with these poll-takers!

Turkey has begun their military offensive in northern Syria, after Trump abandoned our longtime Kurdish allies who have been fighting ISIS. This is a move so wrongheaded, even Moscow Mitch McConnell spoke out against the president.

After suffering a heart attack last week, presidential candidate Bernie Sanders says he's going to slow down on the campaign trail somewhat, while acknowledging that some voters may take his health into account.

How did the most prolific serial killer—who confessed to 93 murders—get away with it? His victims were primarily poor, vulnerable, Black, and their cases were under-prioritized by police.

Here's some good news: For the first time in its city's history, Montgomery, Alabama has elected a Black mayor.

Today's "EAT THE RICH" headline: "For the first time in history, U.S. billionaires paid a lower tax rate than the working class last year."

IN LOCAL NEWS: The Oregonian has a fascinating, infuriating investigation into Ellsworth Culver, the co-founder of charitable org Mercy Corps, who has been credibly accused by his daughter of serial sexual abuse. Mercy Corps knew about the accusations and did nothing about it for more than 10 years.

In their preseason opener, our Portland Trail Blazers were taken down by the Denver Nuggets, 105-94. Our Aris Wales has the recap.

Oregon leaders (like US Senator Jeff Merkley) spent their time waiting to hear how the Supreme Court will rule on LGBTQ protections in the workplace by speaking out on why queer rights are human rights. Our Blair Stenvick has the details.

Get sad, food lovers, because the beloved happy hour joint Little Bird is closing its doors at the end of October. Check out my story about that here.

Another sad closure: Cameron's Books & Magazines, which has been in operation downtown since 1938 is calling it a day.

ARE YOU HUNGRY? Then may I interest you in the Portland Mercury's upcoming Nacho Week? OH! AND YES, YOU DO LOOK SEXY!Tickets for HUMP! 2019 are right here. (Oh, and psst! Check out the new, very sexy, and decidedly NSFW HUMP! trailer here.)

Now, look up there! At the WEATHER: Fuck off, showers! We've got three gorgeous, sunny and cool days ahead!

And finally, ARE YOU MY MOTHER?

Baby Koala mistook a pet dog for his mom from r/aww

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Cheap, Free, & Fun: The 18 Best Bang For Your Buck Events in Portland, Oct 11-17

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by Mercury Things to Do Staff

The Portland Mercury's Nacho Week
Ever since we announced that the Portland Mercury's Nacho Week was coming in 2019, nacho-lovers (and totcho-lovers, and whatever other kind of -cho you're enamored with eating) have not only rejoiced, but waited with bated breath for an idea of what sort of cheese-drenched goodness would available to them at the low low cost of $5. WAIT NO LONGER, you fine aficionachos! YOUR DAYNACHO WEEK, brought to you by Corona USA and Hornitos Tequila, HAS FINALLY COME! (Starts Mon, Oct 14, Various Locations, $5, click here for participating venues)

Bewitched! A Pre-Halloween Dance Party
DJ Action Slacks' annual Halloween dance party returns to the Kenton Club with the all the classic soul, Motown, R&B and blues grooves that you can fit in your pillowcase for the night. A portion of the proceeds benefits the Higher Heights for America's Leadership fund. (Sat Oct 12, 9 pm, The World Famous Kenton Club, $7-10)

IPRC Print Spree
Last year was the Independent Publishing Resource Center’s first every Print Spree—a gallery show and sale featuring $30 prints by 20 local artists. To our delight, the IPRC’s decided to do it again—this time starting the event with a panel discussion with print artists and curators. All proceeds from the print sales will go back to the artists and the IPRC’s print space. (Thurs Oct 17, 6:30 pm, Tillamook Station, free)ALEX ZIELINSKI


Catholic Town! An American Musical
Body Academics presents this one-night-only performance of their original "three-act song cycle/queer variety freak show." Featuring special guests Helen of Boy and Desdemona Lisa. (Fri Oct 11, 9 pm, Black Water Bar, $10, all ages)

Umbrellaslang
The Cafeteria Line and Marmoset Music team up to present Umbrellaslang, a unique night that blends music and discussion together into an eye-opening cultural experience, featuring performances from Veana Baby, Donte Thomas, and Blon; hosted by Daren Todd and Meron Medhanie, with DJ Fanatic Jr. on the decks, and special guests Janae Ball, Mac Smiff, Theora Moench, and Ash Mudra. (Fri Oct 11, 6 pm, Marmoset Music, $5)

Augusten Burroughs
The New York Times bestselling author of Running with Scissors returns with Toil & Trouble, a playful and spooky memoir chronicling Burroughs' journey to understand himself. (Fri Oct 11, 7:30 pm, Powell's City of Books, free)

Felicia Day
The actress, writer, and geek culture icon returns with Embrace Your Weird, urging readers and fans to unlock their self-expression and use it to harness and build upon their creative passions. (Sat Oct 12, 2 pm, Powell's Books at Cedar Hills Crossing, free)

Truth Serum
A combination of comedy and documentary in collaboration with NW Documentary's "Doctober," featuring independent filmmakers screening their nonfiction works, and then seeing what improv greatness follows in that aftermath. (Sat Oct 12, 7 pm, Kickstand Comedy Space, $10)

Raincult, Yuvees, Fire Nuns
Rising country-rock outfit Raincult head up the latest installment of Sunday Sessions at Rontoms with a hometown show that doubles as a release party for their new album. Fellow locals Yuvees and Fire Nuns round out the proceedings. (Sun Oct 13, 8 pm, Rontoms, free)

Scenic Byway
Salt Lake City-hailing six-piece Scenic Byway bring their experimental blend of hip-hop, jazz, rock, and electronica to the Jack London to head up the latest installment of the venue's weekly New Soul Sundays series. (Sun Oct 13, 9 pm, Jack London Revue, $8-10)

The Atom Age, Molter, Jaguar One
The Atom Age play a rowdy kind of surf-rock that blends both punk and R&B together. (Sun Oct 13, 9 pm, Bunk Bar, $10)

Portland Opera Preview: Madama Butterfly
The Multnomah County Central Library invites you to get a sneak peek at Portland Opera's staging of Madama Butterfly. Hosted by Chorus Master and Assistant Conductor Nicholas Fox. (Sun Oct 13, 2 pm, Multnomah County Central Library, free, all ages)

Chris Ware, Lynda Barry
Powell’s City of Books does not seem large enough to contain the might of these two dynamos of the indie comics world, Lynda Barry (One! Hundred! Demons!) and Chris Ware (Jimmy Corrigan). Since Barry was recently awarded a MacArthur Genius Grant, I predict a madhouse for her alone—not to mention her new book Making Comics, which continues the outstanding comics art instruction of 2014’s Syllabus. Ware’s last big (literally enormous) work Building Stories met similar acclaim and since Rusty Brown sounds like a return to a more accessible book-sized comic, I would expect every comics fan in Portland to show. May the odds ever be in your favor! (Mon Oct 14, 7:30 pm, Powell's City of Books, free)SUZETTE SMITH

Night of the Living Dead
There are legends in film history, and then there are legends. George Romero is the latter. Horror as social commentary? He did that. Horror as art film? He did that. Horror as testing ground for some of the most innovative and stomach-churning visual and practical effects imaginable? He did all of that. There isn’t much in that world Romero didn’t pioneer in his career, and the genre resides in the darkness of his massive shadow. Celebrate his eye, his compassion, and his storytelling power with a screening of what is still a stunningly truthful look at how broken this country is when it comes to race: 1968’s Night of the Living Dead. (Tues Oct 15, 7:30 pm & 9:45 pm, Hollywood Theatre, $7-9)BOBBY ROBERTS

Rainbow Electric, Conscious Nest
A night of original jam-oriented blues and funk-rock from these local Grateful Dead disciples. (Wed Oct 16, 10 pm, Goodfoot, $6)

Lubec, Helens, Being Awone
Portland noise pop and indie rock stalwarts Lubec hit Turn! Turn! Turn! to celebrate the release of their latest, Against Nature. Like-minded locals Helens and Being Awone round out the proceedings. (Thurs Oct 17, 8 pm, Turn! Turn! Turn!, $5)

You Need Help
A new stand-up showcase that adds advice to the jokes so that you leave with a little knowledge on top of all the laughs. Christian Burke and Jenna Vesper host, with sets (and advice) from Dylan Carlino, Kat Buckley, D Martin Austin, and Corina Lucas, with live music by Cloudlines. (Thurs Oct 17, 8 pm, Bit House Saloon, $5)

Psycho
Of all the things this Hitchcock classic is often championed for—its score, its cinematography, its fucking perfect sense of pacing—maybe the most notable achievement is how completely it manipulates an audience’s empathy. Steven Spielberg is often considered one of cinema’s master magicians, but even he wouldn’t be so bold as to hinge an entire movie’s success on his ability to not only put you in a matricidal, murdering peeper’s shoes, but convince you to put those shoes on yourself without even thinking twice about it. Hitchcock has made better films, but never any as sneaky as Psycho. (Thurs Oct 17, 7:30 pm, Hollywood Theatre, $7-9)BOBBY ROBERTS

There's even more to do in our Cheap, Free, & Fun calendar, and don't forget to check out our Things To Do calendar for even more things to do!

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The Library at Growler's Taproom Is No Longer Allowed to Host Shows

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by Ned Lannamann
thelibraryatgrowlers.jpg
Yesterday, the people at Growler's Taproom—a beer bar on Southeast Hawthorne—announced that they were required by their landlord to close their basement venue. "The Library," as the venue was called, only regularly started hosting shows in December 2018, but its intimate confines quickly became known around town as a worthwhile place to see—or play—a show. In the past months, Growler's hosted a weekly comedy night (called Inside Voices) and plenty of local and regional bands in its book-themed, 50-plus-person-capacity showroom.

"The owners and staff at Growler’s have fought hard to keep the space open," wrote the Growler's team in yesterday's Facebook post, "and put a lot of love and hours into creating an artist friendly space, with a very unique vibe. Unfortunately, the landlord does not share the same vision for the space and is no longer allowing us to use it as a space for entertainment."

The change is effective immediately, and the venue's schedule includes a few upcoming shows that now must find a new venue. Growler's also has a second location on Southeast 82nd. Below is the full text of Growler's announcement post. Meanwhile, the number of small venues in Portland continues to dwindle.

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Live Review: Nick Cave at Revolution Hall

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by Robert Ham
Nick Cave
Nick CaveRobert Ham

We all want to be seen. Acknowledged. Accepted. That’s what the creators of social networks have tapped into with disturbing clarity. Twitter and Facebook may have started with some goal of helping people find their tribes, but they quickly turned into a frenzy of users looking for an ego stroke or dopamine rush with each like.

With celebrities of all classes now in the mix, it’s only gotten worse. We plebes seek out confirmation from the actors and musicians and models and TikTok stars with varying degrees of desperation. These famous/infamous folks do their best to engage with the faceless mob to help keep their careers aloft, but even that feels like a zero-sum game. The demands for attention by these so-called fans can often become obnoxious, worrisome, and depressing.

That’s what has made The Red Hand Files, Nick Cave’s regular missives to the masses where he responds to questions and comments, so captivating to read. The beloved singer-songwriter gets thousands of queries from fans (he reads all of them, apparently) from which he plucks a choice one or two and offers up a generous reply. That can range from questions about Cave’s favorite love songs or guitarists and his short-lived relationship with PJ Harvey to aching requests for guidance like the most recent installment where a 16-year-old girl from Italy expresses her self-hatred and asks of him, “How should I behave? What should I do for myself?”

It’s also what made last night’s “Conversations With Nick Cave,” an ongoing tour that found the musician playing some songs and then engaging in a freewheeling Q&A with the audience at Revolution Hall, such a strange and depressing affair. The perfection of The Red Hand Files stems from the simple fact that Cave can cherry-pick what questions he deigns to answer. With no such filters available—other than a few people in bright vests handing a microphone to someone in the crowd—the whole night felt exactly like, as Cave described it on a printed card available at the door, a “restless experiment.” It wasn’t entirely successful.

A good number of attendees had it figured out, using their questions to pull out small revelations about Cave's songwriting process, his creative partnerships with members of his backing band the Bad Seeds, and the success of the Vampire’s Wife, the fashion house run by Cave’s wife, Susie. The rest of the interlocutors, on the other hand, offered up different degrees of skin-crawling embarrassments and frustrating tangents. They sought out career advice or advice for their students. (“Just noodle on,” Cave replied to the latter.) They asked, with some degree of bitterness, for a new autograph to replace the one they received years earlier where Cave had misspelled their name. One yukster decided to act like he was being overtaken with emotion about the losses in his life before asking, “What’s your favorite kind of pizza?”


There’s a version of this type of show that could be great and affecting and illuminating. Last night was this concept in its rawest, most unformed state, and not only did its pace and impact suffer, but the evening revealed just how much people expect and demand of the celebrities they admire.


Worse was when things got uncomfortably intimate. One person asked—and received—a hug from Cave. Another dared to ask how his son was still coping with the accidental death of his twin brother (a question Cave wisely pivoted to instead talk about how he and his wife got through the loss). Worse was the person who bestowed upon him a tear-and-snot-stained handkerchief, that Cave, for some reason, accepted. Most used their time to reveal something personal about themselves as a lead-in to their question. Here was their chance to seek that little flicker of attention from their favorite artist. Cave gamely gave it to them, offering up thoughtful and sometimes funny replies to even the most meandering of questions. As with Red Hand Files, he didn’t need to be so unselfish with his time and mental energy, but he gave it willingly.

What, though, is Cave getting out of this, as he wrote, “freewheeling adventure in intimacy”? Is it a way to feed into the devotions of his already devoted fanbase? If you’ve ever seen Cave perform live, you know just how ardent those folks are. Was it to offer a kind of group therapy experience for everyone in the room? Perhaps, but that it was attached to a small concert somewhat diminished the benefits of such an experience. Especially because the conversation segments were squeezed between the short bursts of music.

Cave did a marvelous job using certain questions to inform what songs he did play. A question about singing a song with the late Johnny Cash inspired Cave to perform a bold version of “The Mercy Seat” (which Cash covered on 2000’s American III: Solitary Man) in a medley with Leonard Cohen’s “Avalanche.” When asked about his early days as a musician, he jumped at the chance to celebrate former bandmate Rowland S. Howard with a meltingly beautiful take on “Shivers,” a song that the late musician wrote for Cave’s first band, the Boys Next Door. He played “Breathless,” a song from his 2004 double album Abattoir Blues/The Lyre of Orpheus, after one woman mentioned it was important to her and her family. I was less excited to hear an unprompted run through “Stagger Lee,” a song that Cave and his many male fans should really have outgrown by now.

There’s a version of this type of show that could be as great and affecting and illuminating as The Red Hand Files. Last night was this concept in its rawest, most unformed state, and not only did its pace and impact suffer as a result, but the evening revealed just how much people expect and demand of the celebrities they admire. Nearly everyone who got to hold a microphone and talk to Cave exhibited some version of that needy expectation. Or, in the case of a few folks near where I was sitting, got distressingly angry when their requests for the microphone were ignored. As eager as I am to see where Cave takes this idea, my jaw still hurts from gritting my teeth through the show’s current form.

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Sexy, Scary, Gods Becoming Men; Shaking the Tree's Bakkhai

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by Suzette Smith
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photo by Meg Nanna for Shaking the Tree

There’s a little bit of Jesus in Dionysos, the Greek god of wine, madness, revelry, and theater. He is the child of a human woman and a god. He takes on a mortal form to interact with human beings. Anyone fond of Greek tragedy or mythology is getting their righteous email pants on in response to me writing this, but I’m just trying to point out—to those who notice the similarities—that dying and rising gods are fairly common throughout world religions. And the plays of the Greeks were not only theater. They were also religious rites.

Upon entering Shaking the Tree’s large warehouse, it’s hard to look away from the striking figure sitting on stage whose hair is braided into the shape of faun horns, whose neck shines with iridescent bird feathers, and whose long green gown spills out for yards with flowering fabric.

At the risk of ruining a mystery, this is Dionysos (Aries Osiris). He sits motionless until the play commences, at which time he stands to shocking, god-like height, introduces himself as the son of Zeus, and explains that his godliness has been challenged by the royalty of Thebes—his own aunt Agave (Kelly Godell) and cousin, the current king, Pentheus (Zak Westfall). Dionysos has returned to punish his family for their lack of belief, a variation on many recurring themes in Greek tragedies where family members eat, marry, and murder each other.

How Does Community Policing Fit into a Changing Portland?

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by Alex Zielinski

It’s dusk on a sleepy Sunday in North Portland, and the afternoon rain has finally ceded to a blushing sunset. Outside a two-story apartment complex, the calm is interrupted by three sharp knocks on a wooden door and an authoritative yell: “Portland police!”

It’s a jarring thing for anyone to hear—especially those living in this area, where a history of violent crime and over-policing has trampled residents’ trust of police. But if the middle-aged woman who swings open her door is wary of the two uniformed officers on her porch, she hides it well.

“Oh, come inside! I appreciate you coming by,” says Susan, who’s dressed in pajamas and clutching a cell phone. (The Mercury is using a pseudonym for Susan to respect her privacy.)

Officer Joshua Silverman pulls out a notebook as he steps into her apartment. “I hear you’ve received a threat,” he says, making space in the small foyer for his partner, Officer Joana Ortiz. “Is this the same guy as before?” Silverman asks, reading off a man’s name from his notes.

“Yeah, he left me a message. He keeps giving me problems,” says Susan, scrolling through her phone to find an audio recording. “I can’t live like this.”

In a voicemail message Susan plays for the officers, an angry man says he’s going to kill her. Susan identifies him as a former boyfriend who, thanks to a restraining order, is legally barred from contacting her.

Silverman takes notes as he asks Susan questions for his report. He tucks his notebook in his front pocket and tells her that if she or anyone else sees the man, they should call 911 and tell the operator where he is.

“That’s all you need to do. I’m so sorry this is happening to you,” he says with a deep sigh. “It’s awful.”

Ortiz tells Susan to call if she has any other concerns. “We’re always around,” Ortiz says.

Susan hugs both officers before they leave, laughing with relief. “Thank you so much,” she says. “I feel a little better now.”

According to city leaders, this recent interaction is a snapshot of community policing at its best.


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Ortiz and Silverman are half of the New Columbia Policing Team, a four-person task force assigned to respond to residents of New Columbia—an 82-acre community in Portland’s Portsmouth neighborhood, comprised of publicly subsidized apartments as well as market-rate homes. Of New Columbia’s 1,847 residents, 47 percent are African American and 26 percent are Latinx, making white residents, at 23 percent, the minority.

The Portland Police Bureau (PPB) created the New Columbia Policing Team in 2012 in an effort to chip away at the years of distrust built between New Columbia residents and law enforcement. By following up with crime victims like Susan, resolving small problems for residents, or just sitting and listening to people’s concerns, the four officers have incrementally started to shift the community’s perspective on police.

In the process, the team has become a model for PPB administrators and city leaders when considering the future of Portland policing.

“This is the way we should be doing policing all the way across the city,” said Mayor Ted Wheeler at an August 28 meeting, where City Council voted to extend the New Columbia Policing Team contract until 2022.

The program even won the praise of council’s most vociferous PPB critic, Commissioner Jo Ann Hardesty.

“It feels really hard for me to say really great things about the police,” Hardesty said at the August meeting. “But when you do good things, I want to applaud good things that you do.”

In a city with a long history of police misconduct, New Columbia’s community policing program exemplifies the kind of law enforcement the city wants to invest in.

But according to PPB, budget constraints—some of them tied to the public’s resistance to funding the police bureau—have kept this kind of hands-on work from becoming more common.

At the same time, the city is reevaluating the role of police officers in Portland. Some see programs like New Columbia as merely another way for law enforcement to keep tabs on low-income communities of color, by allowing police to maintain positions of power in a community that’s working to de-emphasize its reliance on cops.

Local groups like Care Not Cops, Don’t Shoot PDX, and Portland Copwatch have remained critical of community policing, arguing that it’s merely a friendly façade that enables profiling and discrimination.

Others, including members of City Council, have suggested sending professional mediators, social workers, or health providers to respond to the kind of low-level issues that New Columbia officers focus on.

As the city reconsiders the responsibilities of a Portland police officer, it’s unclear what the future holds for projects like the New Columbia Policing Team.


“Community policing” emerged as a buzzword in the 1980s and ’90s, after decades of heavy-handed policing of minority populations left some of the country’s most crime-addled neighborhoods deeply distrustful of law enforcement. The idea—encouraged through a well-financed Clinton Administration grant program—was for police officers to build relationships with the communities they patrolled, gaining local perspectives on how to prevent crime rather than react to it.

It was during this era that PPB Assistant Chief Chris Davis began his career in law enforcement.


“[Community policing] is engaging people who actually live in a neighborhood about what they see being a problem, and how they think we could best solve the problem.”

—PPB Chris Davis, PPB Assistant Chief


“Before that point, our job was to go out and identify the problem for the community, impose our own solution for it, and then congratulate ourselves and leave,” says Davis, who joined PPB in 1998. “That left the sort of collateral damage that you’re still seeing today.”

Davis, who now oversees PPB’s day-to-day operations, says community policing is often used to describe “crime control without the collateral damage.”

“It’s engaging people who actually live in a neighborhood about what they see being a problem, and how they think we could best solve the problem,” he says. “It’s getting to the root causes of issues.”

This kind of law-enforcement mentality has taken many forms in Portland. At first, community policing mostly meant hiring more officers of color. More recently, it’s been used to describe a temporary program where officers patrolled Southeast Hawthorne on foot, building relationships with homeless people, business owners, and residents. This summer, the phrase was associated with a program in which PPB paired with Lloyd District organizations to hold frequent community events in Holladay Park in an effort to deter crime.

After a 2012 investigation by the Department of Justice found PPB officers had a “pattern and practice” of disproportionately using force against people with a perceived mental illness, the city was ordered to create a civilian oversight group that would propose ways to improve PPB’s community engagement. But after several false starts, the Portland Committee on Community-Engaged Policing (PCCEP) has yet to produce substantive ideas.

So far, the city’s most enduring community policing program is the one focused on New Columbia, Oregon’s largest public housing development.


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Before New Columbia, there was Columbia Villa. Built in 1942 as white-only housing for World War II shipyard workers, Columbia Villa gained national attention for its unique suburban layout and charm. By the early ’80s, however, government neglect and poverty had turned the sprawling complex into a magnet for drug sales and violent crime. In 1988, Portland’s first gang-related killing took place on Columbia Villa’s streets, kicking off the first attempt at a community policing program, led by the Multnomah County Sheriff’s Office (MSCO). Columbia Villa’s crime rate began to level off.

In 2001, Portland’s housing authority, Home Forward, was awarded a $35 million federal grant to revitalize Columbia Villa by razing dilapidated apartments, building community centers, improving parks, and integrating low-income residents with those owning and renting market-rate homes and apartments. MSCO’s community policing program ended, and the redeveloped housing project, which opened its doors in 2005, was given a new name: New Columbia.

The neighborhood facelift, meant to strengthen and empower the long-neglected population, instead destabilized the community, prompting a resurgence of gang violence. In 2011, after an 18-year-old was shot and killed in McCoy Park, which is located in the center of New Columbia, Home Forward met with PPB to reinstate a community policing unit.

From its start, the New Columbia Policing Team has been an evenly split private-public partnership, with the city and Home Forward both contributing around $254,000 each year. Home Forward’s portion comes from funds collected from New Columbia rental fees and the New Columbia homeowner association, while the city dips into the PPB budget to pay its share.


Instead of chasing 911 calls, New Columbia cops spend most of their time following up on problems raised by tenants, connecting them to social services, or helping resolve issues between neighbors or family members. Instead of writing up tickets for petty nuisances or looking for excuses to pat down teens cutting class, officers try to leave residents with a game plan, whether it’s a list of resources for rent assistance, an appointment with a mediator, or a ride to a clinic to address a long-ignored health problem.

Every Wednesday, the officers meet with staff from Home Forward and New Columbia’s management company, Income Property Management, to review the past week’s police calls. The main purpose of these meetings is for officers to share information on residents who may need extra support, like victims of domestic violence, kids who might be skipping school, or tenants at risk of eviction.

Silverman compares his job to that of a switchboard operator. “So much of our work is just connecting people to the right resources,” he says.

Ortiz describes a case involving an older woman with a seizure disorder who lived with her family in the apartment complex. New Columbia officers kept finding the woman sleeping outside, often with bruises all over her body. The officers weren’t sure if the marks came from seizures or if her family had been abusing her, so they alerted a social worker at Home Forward.


“I wanted to be that mentor for kids, and be like, ‘Hey, I was in your shoes, I completely understand what your frustrations are.’“

— Joana Ortiz, PPB officer


In cases like these—cases that rely on knowing a resident and their family, recognizing a pattern of behavior, and knowing what next steps are most appropriate—New Columbia officers demonstrate a unique awareness that can’t be replicated with the PPB’s prevailing policing model.

“That kind of work takes weeks, if not months,” Ortiz says. “It takes hours on the phone, connecting people. It’s not easy.”

Some of the officers’ time is spent doing what Silverman calls “PR work,” like handing out stickers to kids or joining a community dodgeball tournament. While he believes that kind of relationship-building is effective for New Columbia’s younger residents, Silverman says it’s far from the most important community work.

He pointed to one New Columbia resident, a woman who had been “dragged through the court system” after recently recanting a sexual abuse allegation.

“She’s traumatized. I’m going to check in with her soon to see how she’s doing, make sure she’s getting the support she needs,” Silverman says. “That kind of stuff is so much more meaningful for the community than hopping into a three-on-three boys’ basketball game and posing for a photo.”


New Columbia residents are cautiously optimistic about the uncharacteristically focused police team.

Sam Johnson, an African American man who’s lived in the same New Columbia apartment for 11 years, remembers when the development felt more like “a war zone” than a neighborhood.

“There’d be shootings once or twice a week,” Johnson says. “And the police, they would just throw up their hands.... They didn’t know what to do. No one living here felt safe at that time.”

Now, he says, shootings have slowed down, and he’s been impressed with the officers’ conduct, even in unpredictable, intense situations. He recalls an incident when officers showed up at his apartment complex because his neighbor was having a seizure. Based on how Johnson had seen police act in the past, he was worried the New Columbia officers were going to tase his neighbor. They didn’t.

“They were using a lot of composure and tact. They weren’t just going into the situation head first,” says Johnson. “They were really cool about it.”

Alescia Blakely, a Home Forward employee who oversees New Columbia’s resident services, says that if the community were having problems with the officers, she’d know about it.

“This is not a private community,” says Blakely with a laugh. “If there were more concerns, we’d hear something.”

Blakely’s office is usually the first stop for New Columbia tenants who need an issue addressed—whether that’s help with utility bills, complaints about a barking dog, or interpersonal conflicts. Sometimes residents who aren’t comfortable talking to law enforcement bring her crime-related problems, which she ends up sharing with police. But, Blakely says, those conversations are happening far less often.

“What’s changed over the past years is that people are going straight to the police and not coming to us first,” she says. “They’re realizing, ‘I don’t have to be fearful, I don’t have to be concerned about how an officer will treat me.’”


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While PPB’s Davis says the New Columbia unit is an exemplary model of community police work, he adds that community policing was never meant to be the responsibility of a single department.

“Every employee in this organization is responsible for community engagement, from the chief of police to the officer on the street to the records clerk,” he says. “That’s our business.”

It’s the kind of business many younger officers are interested in. Ortiz says her childhood in South Los Angeles taught her to dislike the police. She was initially interested in a career counseling at-risk youth, informed by her own background in a crime-heavy neighborhood.

“I wanted to be that mentor for kids, and be like, ‘Hey, I was in your shoes, I completely understand what your frustrations are and why you’re doing what you’re doing,’” Ortiz says.

Only after going on a police ride-along in college did Ortiz realize she could do that work within a police department.

“I want to help people, and this job lets me do that,” she says.

Ortiz is one of the few PPB officers who is fluent in Spanish, a skill that’s especially helpful in New Columbia.

“Sometimes me walking into a household of Spanish speakers... they kind of light up and they’re relieved that I’m there,” says Ortiz. She’s spoken with Latinx residents who’ve been victims of a crime but never reported it to the police, out of fear they’d be interrogated about their immigration status. “They believe me when I say, ‘We’re here to help you guys, we’re not immigration,’” she says.

Officer Elise Temple, another cop assigned to the New Columbia detail, put it bluntly in the August City Council meeting: “It’s the only position I want in the bureau right now.”

Few officers can squeeze community policing into their work schedules. Before joining the New Columbia team, Silverman worked as a self-described “traffic warning machine” in PPB’s East Precinct, where he’d spend hours pulling over drivers at the intersection of Southeast 167th and Stark for minor violations. To Silverman, it’s a prime example of half-baked community policing.

“I would give out a bunch of warning tickets, but they were just excuses to get out of the car and talk to people,” he said. “I think the idea was that people would see the cops out and think, ‘I feel kind of safe here.’ Or, ‘Maybe I won’t do my crimes here.’ I don’t know how long-term effective that was.”

There’s little reward in standard PPB patrol work, says Silverman, because officers rarely get to see the conclusion of any specific investigation or explore the underlying issues beneath a conflict—something he believes benefits both officers and citizens.

Traditional police work, Silverman says, is “just putting the fire out for tonight. And moving on.”


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Silverman says older officers jokingly call his generation of cops “social workers with a gun.” It’s not a label he’s offended by.

“I think we should embrace that responsibility,” he says.

Davis agrees, and says the bureau’s seen an influx of sharp, self-motivated officers who want to be engaged in “meaningful work.” But due to low staffing levels—thanks to both city budget cuts and PPB’s consistent problems with recruiting and retaining officers—the bureau hasn’t been able to offer that kind of work to new cops.

“What’s frustrating today is... we’re taking these people and putting them out and sending them from call to call to call,” Davis says. “How long are they going to keep doing that kind of work? And what opportunity are we losing?”

During Davis’ early years at PPB, Portland was a city of roughly 530,000 residents, with five precinct offices and around 1,000 sworn officers. Twenty years later, the city has an estimated 123,000 more residents, but only three precincts and 1,001 sworn officers.

Mayor Wheeler, who serves as the city’s police commissioner, shares Davis’ interest in expanding PPB to grow its community policing work.

“As staffing grows, so too will the opportunities to develop more new programs that enhance collaboration and partnerships between the bureau and community,” Wheeler wrote in an email to the Mercury.

Yet Davis believes the city won’t increase staff sizes without public support of the police bureau. Which, in Portland, is limited.


“The community policing effort has been a detriment to Portland,” says Teressa Raiford, a police accountability activist and 2020 Portland mayoral candidate. “We don’t need it.”

Raiford grew up in Northeast Portland, where her interactions with racist officers and neglected crime victims of color formed her perception of PPB. In 2010, Raiford’s nephew was shot and killed in Old Town; disappointed with the bureau’s work to deter gun violence, she founded Don’t Shoot PDX, a group that advocates for police accountability and gun violence reduction.

Through her work, Raiford says she’s seen PPB’s community policing operate as a tool to oppress low-income and non-white communities, rather than empower them.

“Officers don’t use community policing to investigate crime. They use it to investigate and profile people,” she says.

Raiford points to PPB’s recently terminated “gang list,” a database of people who officers suspected might be affiliated with convicted gang members. Many on the list had no conviction or arrest history, but their alleged association with gangs still made them frequent PPB targets. A 2016 investigation by the Oregonian found that 81 percent of people listed were part of a racial or ethnic minority. PPB dismantled the list shortly after the Oregonian published its findings.


“Officers don’t use community policing to investigate crime. They use it to investigate and profile people.”

—Teressa Raiford, founder of Don’t Shoot PDX and 2020 candidate for mayor


Raiford says she’s seen how community policing has weakened tight-knit communities of color, making people less likely to ask their neighbors for help out of fear those neighbors might have a close relationship with the police.

“In places like New Columbia, you see officers coming up to kids and asking their names and about their families... then share that information with other officers,” Raiford says. “That violates civil liberties. And these are poor communities that don’t have access to legal help. There’s a reason there aren’t community policing teams in Hillsboro and Lake Oswego.”

PPB says it doesn’t collect this type of information unless it’s related to a criminal investigation.

Instead of tasking officers with community engagement, Raiford says the city should prioritize sharing resources with low-income communities—like funds for community events—to allow for peer-led community building.

At the August City Council meeting, Portland Copwatch’s Dan Handelman argued that appointing armed police officers to act as arbiters of community safety seemed contradictory.

“You have to think about the power dynamic there,” he said. “I find it really disturbing that we’re having officers work mediation [and] play dodgeball games with children while wearing guns on their hips.”

“What happens if there’s an officer-involved shooting?” Handleman continued. “They build this great relationship with the community and then something happens... and the trust just goes away. Then what?”


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In the lead-up to the city’s 2018-2019 budget vote, a new community activism group emerged: Care Not Cops. The organization’s message was simple: Take budget dollars reserved for PPB and distribute them among non-police programs that could better support people who are the frequent subjects of 911 calls, like those in a mental health crisis or homeless individuals.

Kaitlyn Dey, a member of Care Not Cops, says this idea would replace community policing, which she calls a “PR stunt.”

“We believe real community care comes from within our community and not an outside force,” says Dey. “Especially not an outside force that has a history of surveilling communities.”

The final city budget didn’t include the sweeping cuts proposed by the group, but it did contain funding for a pilot program to explore alternatives to the city’s current police response. Mayor Wheeler and Commissioner Hardesty are expected to present a proposal for that pilot program to City Council in November.

One of the city’s tentative ideas is having social workers, mediators, or mental health experts respond to low-level 911 calls, like reports about a noisy neighbor, a person sleeping on a sidewalk, or a suspicious-looking stranger.

These are the kinds of calls the New Columbia Policing Team spend most of their time on.

While the New Columbia program’s mission isn’t meant to replace community policing—a practice both Hardesty and Wheeler endorse—it could redirect officers to focus more on high-level crime than relationship-building. The city’s Office of Community and Civic Life (OCCL) has also begun questioning if neighborhoods have become too reliant on cops to solve non-criminal community problems.

“In Civic Life, we’re reorienting crime prevention towards... equipping community members to deal with their own challenges instead of involving law enforcement,” said Commissioner Chloe Eudaly, who oversees OCCL, at a recent City Council meeting.


“I just want people we interact with to say, ‘I called the police and my life got better, not worse.’ If I can just do that, already I’m defying the expectations people have of us.“

—Joshua Silverman, PPB officer


Since the creation of New Columbia’s small police team in 2012, the number of yearly 911 calls for service in the area has dropped from 1,530 down to 953 in 2018. The City of Portland, meanwhile, has watched its total 911 calls steadily rise over the same period of time.

There’s still crime in New Columbia. The four-person team regularly responds to reports of car theft, break-ins, domestic abuse, and assaults. The officers don’t know every resident by name, and many of those who live in New Columbia intend to keep it that way. Silverman says there are always going to be people who—understandably—have no interest in engaging with them.

“If you’ve had negative interactions with the police, it’s going to take dozens of positive interactions to change that,” Silverman says. “There’s no amount of community policing that’s going to fix the fact that they saw their uncle being beaten by a police officer.”


After visiting Susan during their recent shift, Ortiz and Silverman retreat to their patrol car, where they look up their next assignment on the car’s computer screen. A man watches them from his apartment door, scowling as they pull out of the parking lot.

“At its most basic, I just want people we interact with to say, ‘I called the police and my life got better, not worse,’” says Silverman. “If I can just do that, already I’m defying the expectations people have of us.”

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10 Reasons Why It’s Going to Be an Epic Season for the Portland Trailblazers

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by Arthur Bradford

Another awesome NBA season is upon us, Rip City, and now it’s time to bone up on your Blazer knowledge. Can the Blazers top last year’s improbable, magical run to the Western Conference Finals? Behold, you are now presented with 10 solid reasons this year is going to be huuuge.

10. The Big Shake-Up

Trade news flew fast and furious throughout the NBA this summer, especially in the Western Conference. Kawhi Leonard ditched his championship Toronto squad to form a Clippers superteam in LA with Paul George. LeBron finally lured big Anthony Davis to the Lakers to form another superteam in the same damn city. The Blazers’ top two nemeses, Russell Westbrook and James Harden, joined forces down in Houston. And with the Warriors finally weakened, there’s no longer a clear favorite in the West. Sure, those LA teams look scary. But so do several other teams, including our Blazers.

9. Rip City Shuffle

Unlike summers past, the Trail Blazers actively shuffled the deck during the off-season. This year’s team will feature the biggest turnover we’ve seen in some time. Gone are the lovable but somewhat erratic role players like Meyers Leonard, Evan Turner, Moe Harkless, and Al-Farouq Aminu. In their place come a fresh crop of hopefuls with some serious upside (see reasons 2-5). The perennial rub, as Shaun Powell of NBA.com put it, is that the Blazers are “a player shy of running with the true heavyweights.” Will these new faces be enough to tip the scales to put the Blazers in heavyweight contention?

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8.“The Best Backcourt in the NBA”

Bleacher Report just ranked Damian Lillard and CJ McCollum as the number one backcourt duo in all the land. For years this mantle was held by Steph Curry and Klay Thompson of the Warriors, but with Thompson slated to be out most of the season with a torn ACL, and hotshot guards like Russell Westbrook and Chris Paul on the decline, the torch has officially been passed. Last season was a big test for these two, as many wondered whether the team could truly succeed with two such similar players. Judging from their new massive multi-year contracts, it appears they’ve passed this test with flying colors.

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7. Lillard for Life

Coming off a career year, Damian Lillard signed a “supermax” $196 million deal extension, meaning he has committed to the Blazers until the 2024-25 season. This slates him to become the first $50-million-a-year player in NBA history. Is he worth it? Hell yes! There’s nobody like Dame D.O.L.L.A., who earned the love and respect of Portland fans for life after delivering an impressive canon of gutsy game winners and truly classy behavior in his first seven seasons here. His internet-breaking, league-altering cold-killing of OKC in the first round of the playoffs is the stuff of legend. And this should be the season when Lillard finally receives true consideration for the MVP award —a honor bestowed on only one other Trail Blazer (Bill Walton in ’77). It’s no secret that it’s hard to lure superstars to Portland, so it’s pretty cool that we’ve been able to grow one of our own.

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6. Jusuf’s Leg

It was the most brutal, eye-popping injury ever to take place in Moda Center. And just two short months later the congenial Bosian giant Jusuf Nurkić was back, standing on that broken leg and cheering his team to victory in last season’s playoffs. But when will he be back on the court? The Blazers need this guy if they are to make a serious run this season, and no one knows for sure when he’ll be ready (estimates put it around February) or how well he’ll play when he returns.

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5. City of Redemption

Portland has lately become known as the place where disgruntled players can get a second chance (see: Jusuf Nurkić, Moe Harkless, Enes Kanter). This season, the Blazers will take on the ultra-talented seven-footer Hassan Whiteside, who, after wowing the league in Miawwwmi, fell out of favor and was rumored to be a bit of a headcase. That said, Whiteside can fill a big hole for the Blazers with Nurkić recovering from his broken leg. This same dynamic holds true with Croatian youngster Mario Hezonja, who underperformed for two seasons after being selected number five in the 2017 draft, and Kent Bazemore, a fine shooter who fell off in Atlanta. Will these guys find redemption in Rip City?

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4. Anfernee!

At the very end of last season, Anfernee Simons had a breakout 37-point game against the Kings, which got the buzz buzzing about this baby-faced 20-year-old. Selected by the Trail Blazers right out of high school, Simons spent much of last season watching his mentors from the bench, but word is he’ll get the green light this year, and Blazers fans could be in for a treat. Simons has a sweet game and remarkable poise for a player so young. This could be the year we reference when we tell our grandkids, “I knew that kid was special when....”

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3. Old School

Lost amid all the marquee acquisitions this summer was the addition of future hall-of-famer Pau Gasol to the Blazers roster. Yes, Pau is getting comparatively “old” (39), but the guy is a six-time All-Star with two championship rings. It’s been a long time since the Blazers could boast that kind of pedigree in uniform. And, yes, the guy can still ball.

2. Chips on Shoulders

Portland will always have a chip on its collective shoulder. Even after last year, most pundits don’t see the Blazers as serious contenders. Vegas has them at 40-to-1 to win the championship. But we like long odds! Lillard famously uses being overlooked as fuel for his fire. Blazers rookie Nassir Little would do well to do the same. The high-flying wingman was expected to go early in the college draft this summer, but somehow fell all the way to the 25th pick where the Blazers snapped him up. Make those other 24 teams regret passing you up, Nassir!

1. 50, Baby!

The Trail Blazers turn 50 this year and are celebrating that fact in a number of cool ways, including a brand-new court design and a “throwback” pre-season game against Denver on October 8 at their old stomping grounds in Veterans Memorial Coliseum, where the team played from 1970 to 1995. Rip City has an awesome history, and we’ll get to revel in that all year long.

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The Water Dancer: Ta-Nehisi Coates’ First Foray into Narrative Fiction

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The only hiccup: superpowers. by Robert Ham

Ta-Nehisi Coates plays to his strengths with The Water Dancer, his first foray into narrative fiction. He sets the story in a time and place he knows well: pre-Civil War America. It’s a period of our country’s history that he’s explored in much of his writing, particularly the bracing essay “The Case for Reparations” for the Atlantic. And he addressed it in his National Book Award-winning Between the World and Me, using it as a jumping-off point to delve into the continued degradation of Black people by modern institutions and citizens.

Throughout The Water Dancer, Coates puts those same feelings into the mouths of his characters, particularly Hiram, a young mixed-race man born into slavery in Virginia. We follow Hiram from his days toiling as a servant for his piggish half-brother to his work freeing other enslaved people as part of the Underground Railroad. In one poignant scene, Hiram recalls attending a family dinner while living among emancipated Blacks in Pennsylvania. As the evening winds down, one of the children starts to play the piano.

“Watching that little girl encouraged in her pursuits, rewarded in whatever genius she had,” Hiram writes, “I saw all that had been taken from me, and all that was so regularly taken from the millions of colored children bred to the Task. But more than this I saw, for the first time, colored people in that true freedom... that I hungered for.”

Because Coates knows this time period and territory so well, it allows him to pour all of himself into the prose. The Water Dancer is as illuminating and awe-inspiring as a falling star, soaring by at a similar clip. It’s rich with detail, but not overwhelmed with it. There’s just enough to urge you forward to the next page.

The book’s only hiccup is a holdover from Coates’ other work as a writer of comics. You see, Hiram is gifted with something called “The Conduction,” which is a kind of supernatural force that transports him to key moments in his life and back again. Even as it works as a perfect metaphor for the ways in which Black people are forever connected to and frequently exhausted by the weight of the past, it also distracts from the story. The Water Dancer might be built around frequent appearances of “The Conduction,” but the power trips up an otherwise brilliantly crafted novel.

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